A Tale of Two Stories 

Allan Arkush

In their respective new books, Schama and Feiner attempt not to relate the whole history of the Jews during the period covered by their volumes but to tell their story—indeed, to a large extent, to let them tell their story in their own words, culled from their letters, diaries, and autobiographical works.

Babel’s Transcendent Mistakes

Jake Marmer

When I was 12, my parents bought me a gigantic Yiddish-Russian dictionary. Maybe this was their way of compensating for the fact that they had not told me I was Jewish until second grade, when I came home singing a Ukrainian ditty with the word “zhid.”

History of a Passé Future

Rachel Biale

At their inception, the children’s house and collective education were to shape a new kind of emotionally healthy person unfettered by the crippling bonds of the traditional or bourgeois Jewish family. Over the last two decades or so, a cultural backlash has set in among some of those raised in children’s houses.

Ink and Blood

Ink and Blood

Diane Cole

Arthur Szyk may well be the only great Jewish artist whose work countless people recognize simply because they have attended a Passover Seder. Less well known are the explicit connections between the Egyptian pharaoh and Hitler that Szyk had embedded in his original version of the haggadah he created in the 1930s.