Faced with a bewildering variety of uses for the word “ghetto,” Daniel B. Schwartz performs marvels of clarification in steering the reader through the labyrinthian twists, turns, and hidden alleyways that mark this terminological odyssey.
Jews, Money, Myth, at London's Jewish Museum, normalizes the Jewish relationship with money without negating those factors that made this particular historical association especially fraught.
Remembering Herman Wouk's "gentle mockery at the shopworn pretensions of bohemian poseurs and ethnic Jews passing as nonhyphenated Americans."
In their respective books, Chad Alan Goldberg and Eliyahu Stern address the question of whether the Jews are the quintessentially modern people or a people who came to modernity late and with a sudden shock. They reach very different conclusions.
But on the very night in 1737 that Joseph Süss Oppenheimer’s patron suddenly passed away, he, “his servants, and many other court officials were arrested, and soon a special inquisition committee was convened in order to investigate the court Jew’s ‘atrocious crimes.’”
Despite all of Bob Dylan’s subterfuges, disguises, and costume changes, he really was a child of the American heartland. Winning the Nobel Prize might actually be his most Jewish achievement.
What music businessman Morris Levy craved even more than the recording artists themselves were the copyrights and catalogues the labels contained. “Copyrights don’t talk back,” he liked to say.