Austro-Hungarian Eden?; The Diaspora Strikes Back!; In Performance There Is Problem; Tact, Truth, and Tercets; Mameloshn
A brilliant and moving exhibit at the Israel Museum pairs the Israeli astronaut Ilan Ramon, who died in the space shuttle Columbia explosion, with the obscure biblical gure Enoch, who was also an astronaut of sorts.
We once worried about the faith of young American Jews; now we worry about their politics. It’s part of a long historical development we should resist because Judaism-as-politics isn’t enough.
Hart Crane’s name will forever be linked to Samuel Greenberg’s by a brilliant act of plagiarism, for the story of Greenberg’s posthumous manuscripts is almost as remarkable as the poetry itself.
“Nonstatist” Zionists, as the historian David Myers has dubbed them, have received a lot of attention in recent years. Dmitry Shumsky, a historian at the Hebrew University, is grateful for this scholarship but believes that it has not gone far enough.
Embedding biblical allusions in her descriptions of pagan practices, Tova Reich in her new novel seems to suggest that the world is so entangled that there is no space between the sacred and profane.
Jerold Auerbach’s archly titled new study Print to Fit: The New York Times, Zionism and Israel, 1896–2016 is a well-researched and, for the most part, damning brief of the Times’s news coverage and editorial attitudes toward Zionism and Israel for over a century.
A new collection of Heschel's writings plucked from obscurity and presented with clarity to English readers adds to our understanding of the centrality of time in Heschel’s worldview.
“How will women’s proficiency in learning change family dynamics? . . . How will their sons view a woman’s capacity for rigorous study? Will women want a different sort of husband—one who is not threatened or intimated by an educated woman?”
Canadian fantasy writer Guy Gavriel Kay weaves unique novels with Jewish themes but never quite escapes Tolkien's orbit.
“I Do Not Care if We Go Down in History as Barbarians” is a reenactment; the quotation marks are part of its title, suggesting just how meta this film becomes. It steps back one more level into the minds of the people doing the reenacting.
Jews, Money, Myth, at London's Jewish Museum, normalizes the Jewish relationship with money without negating those factors that made this particular historical association especially fraught.
The poet Heinrich Heine imagined the merchant of Venice attending Neilah, the final service of Yom Kippur, but I find him earlier in the day, at Mincha, and we are listening together to the story of another Jew among Gentiles, bitter at being compelled to show mercy.
Lost & Found
“Good Shabbos—you’re sitting in my seat” takes on a whole new meaning when it’s your brother- in-law talking. From a Russian Jewish diary, with an introduction by Alice Nakhimovsky and Michael Beizer.
Rabbi Moshe Hayim Efrayim of Sudilkov learned Torah with his grandfather the Ba’al Shem Tov, who later visited him in dreams. In the Degel Machaneh Efrayim, he gave the shofar blast a radical Hasidic meaning.
My friends and I took for granted that the connection between the cards and the players they represented wasn’t just arbitrary.