I would never have said this ten years ago, or even five years ago, but there apparently comes a time in the lives of those who write about Jewish identity when they have to decide whether to write about . . . it.
There’s nothing quite like the realization that what you thought was an empowering work of art is actually a 200-page exercise in trolling. It took me more than 30 years to figure out that I’d been trolled by Roald Dahl.
“I Do Not Care if We Go Down in History as Barbarians” is a reenactment; the quotation marks are part of its title, suggesting just how meta this film becomes. It steps back one more level into the minds of the people doing the reenacting.
For Avraham Sutzkever, life and work were not even slightly separate, since his was a life not merely shaped by poetry in a metaphorical sense but literally saved by it, when a poem of his produced an airplane.
Dara Horn’s new novel, Eternal Life, is out today. We caught up with her and asked her 18 questions.
Ozick is as marvelously demanding, harrumphing, and uncompromising as she has always been.
Of the many varieties of anti-Semitism, or anti-Judaism, that have plagued the Jews over the centuries, two recurrent general patterns can be identified by the holidays that celebrate triumphs over them: Purim and Hanukkah.
A new exhibit explores the vanished world and unseen photographs of Roman Vishniac.
Economist Bryan Caplan thinks parents “overcharge” themselves when it comes to investing in their children. Glückel of Hameln knew better.
Literary masterpieces that double as works of prophecy have been rare since the death of Isaiah. But the Yiddish poet Jacob Glatstein wrote two novellas that foreshadowed the future of Jewish Europe.
The author of Life of Pi trivializes the Holocaust.
Were Saul Bellow and his friend Isaac Rosenfeld the last Jewish intellectuals of their kind?