Shababnikim, the hilarious Israeli sitcom that follows four ne’er-do-well yeshiva students, is back–and it has something serious to say too.
It's an interesting time to open a museum that argues for the interconnectedness of the Jewish world since it is virtually impossible for non-Israelis to enter the country.
Whereas Heidi and her woke progeny scatter in the winds of the American landscape and the heirs of Yitzy and Ben find themselves growing further apart, their Israeli counterparts find themselves socializing together, mostly serving in the army together, and sharing a Jewish cultural vocabulary.
Mizrachi identifies the heightened energy she senses in the streets of Israel during the days between Rosh Hashanah and Yom Kippur. She renames the period between Rosh Hashanah and Yom Kippur known as the Ten Days of Repentance, “Aseret Yemei Teshuva,” as the “Aseret Yemei Teshuka,” or “Ten Days of Desire,” a time when the yearning for a return to God and Torah reaches a primal, visceral level.
For Seymour Epstein, the Megillah depicts the cycle of passivity and overreaction that is endemic to the diaspora.
While not the most dramatic of all the biblical stories, the quietly moving book of Ruth, which we read on Shavuot, continues to resonate in Western literature.
If you think this Israeli election is raucous, travel back to 1984 and Shas's arrival on the political scene in the film The Unorthodox.
Possible Jewish ancestry has fascinated both Jews and non-Jews when it comes to American historical figures, reaching as far back as Alexander Hamilton.
Lately it seems to be the season of haredim on screen. Sarah Rindner's immersion in this very particular oeuvre began with Shtisel, the 2013 runaway hit Israeli TV series, which depicts a haredi family in Jerusalem in all of its complicated, charming dysfunction.
Chaim Potok was a talented polymath. But plays, too—who knew?
“Am I Gentile? Am I a Jewess? Both and neither. What am I? I am what I am.” Muriel Spark at 100.
Eternal Life is Dara Horn’s fifth novel, and like her others it crosses time and place to tell a transfixing, multilayered story that draws on Jewish texts and themes in a deep, witty, and immensely readable fashion.
Ilana Kurshan, a hyper-literary, ideologically egalitarian, hopeless romantic (in her words), doesn’t fit the typical profile of a Daf Yomi participant.
Although The Wedding Plan will inevitably be marketed and discussed as a wacky romantic comedy, there is no real male lead.
In Yehoshua November’s new collection, however, it turns out that the difficulties of being a Jewish poet do not primarily flow from being either Jewish or a poet but from the underlying difficulties of life itself.
The web series Soon by You is part Seinfeld, part Srugim.
When Aviya Kushner encountered the Bible not in Hebrew, but in translation, she was shocked at how different it was, both in form and in substance.